theme by dystopie

oldfashionedidea:

So what you may not have realized is that the casting of Lucy Liu as “Joan” Watson in Elementary was just the first step in a plot by Hollywood to ruin ALL your bromances by inserting Lucy Liu.

Take White Collar, for instance. It’s well known for the slashy potential between the two male leads, even though both are canonically heterosexual. But wait!

IT’S LUCY LIU! WHAT ARE YOU GOING TO SHIP NOW?

It’s not just limited to TV, either. How about one of the classic ships, one that practically invented slash?

HA! COCKBLOCKED!

Suits is a show about two dudebro lawyers who are totally gay for each oth-

NOT ANYMORE THEY’RE NOT. GROSS, HETEROSEXUALITY!

Merlin and Arthur are sooo cute…

UGH! VAGINA IN MY SLASH SHIP!

But wait, you say. I’m a multishipper, how can you possibly-

THAT’S RIGHT.




Neo, I’m not afraid anymore. The Oracle told me that I would fall in love and that that man… the man that I loved would be The One. So you see, you can’t be dead. You can’t be… because I love you.You hear me? I love you.




[Flash 9 is required to listen to audio.]

Ingrid Michaelson | Somebody That I Used To Know (cover)




sirmitchell:

This was commissioned by Nick Offerman (and others), as a wrap gift for the entire cast & crew at Parks & Recreation. Really happy with how it came out, and stoked to be doing more work for those guys, I love um! 

sirmitchell:

This was commissioned by Nick Offerman (and others), as a wrap gift for the entire cast & crew at Parks & Recreation. Really happy with how it came out, and stoked to be doing more work for those guys, I love um! 





“The Good Wife was always meant to be a show about ‘politics’ and how it wasn’t just something that happens in Washington, in the State House, in a campaign office. It happens everywhere: among co-workers, friends, enemies, companions, spouses. And our main character, the wronged spouse, came to realize that. […] The triumph of our betrayed character was not in forgiving. It was deciding not to retreat into her victimhood. If she were ever going to suffer from any mistakes again, they were going to be her mistakes and not her husband’s. In the end, to forgive or not to forgive seems like half the equation. The more important half is making forgiveness irrelevant.”  — Michelle and Robert King

“The Good Wife was always meant to be a show about ‘politics’ and how it wasn’t just something that happens in Washington, in the State House, in a campaign office. It happens everywhere: among co-workers, friends, enemies, companions, spouses. And our main character, the wronged spouse, came to realize that. […] The triumph of our betrayed character was not in forgiving. It was deciding not to retreat into her victimhood. If she were ever going to suffer from any mistakes again, they were going to be her mistakes and not her husband’s. In the end, to forgive or not to forgive seems like half the equation. The more important half is making forgiveness irrelevant.” — Michelle and Robert King